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    <loc>https://100worldsproject.com/new-gallery</loc>
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      <image:title>Exhibition Images Ron Miriello</image:title>
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      <image:title>Exhibition Images Ron Miriello</image:title>
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      <image:title>Exhibition Images Ron Miriello</image:title>
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  <url>
    <loc>https://100worldsproject.com/book-gallery-1</loc>
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    <lastmod>2014-12-03</lastmod>
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      <image:title>Book Gallery</image:title>
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      <image:title>Book Gallery</image:title>
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      <image:title>Book Gallery</image:title>
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      <image:title>Book Gallery</image:title>
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  <url>
    <loc>https://100worldsproject.com/worlds</loc>
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    <priority>0.75</priority>
    <lastmod>2016-09-06</lastmod>
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      <image:loc>https://static1.squarespace.com/static/5418d1b9e4b003eaab46a7f9/t/551b2994e4b08245f4bde862/1427843476782/</image:loc>
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      <image:title>Worlds - Charlie</image:title>
      <image:caption>All images by the talented Matthias Heiderich</image:caption>
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    <loc>https://100worldsproject.com/press</loc>
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    <lastmod>2016-08-03</lastmod>
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  <url>
    <loc>https://100worldsproject.com/press/2016/8/1/the-globes-have-been-seen-by-several-hundred-thousand-visitors-now-at-the-san-diego-international-airport-helping-set-the-tone-for-how-san-diego-thinks-collaborates-and-invites-innovation</loc>
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    <lastmod>2016-08-02</lastmod>
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      <image:title>Press Ron Miriello - San Diego Tourism Blog Features 100WP as Symbolic of Citywide Innovation</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/2016/8/3/around-the-world-in-100-ways-ut-story-by-laurie-delk</loc>
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    <lastmod>2016-08-03</lastmod>
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      <image:title>Press Ron Miriello - Around The World in 100 Ways - A UT story by Laurie Delk</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/2016/8/3/press-tour-video-of-100wp-installation-at-san-diego-airport</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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  <url>
    <loc>https://100worldsproject.com/press/http/wwwsanorg/airport-art/exhibit-detailsid104sourcecurrent</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:title>Press Ron Miriello - "Points of Entry" Exhibition Asks 100WP Globes to Set Tone for New Arrivals to San Diego Airport</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/2016/8/3/home-china-fall-issue-features-100wp</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:title>Press Ron Miriello - HOME China Fall Issue Features 100WP</image:title>
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      <image:title>Press Ron Miriello - HOME China Fall Issue Features 100WP</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/https/issuucom/inprintmagazine/docs/issue10/1</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:title>Press Ron Miriello - InPrint Magazine and 100WP - Page 23</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/2016/8/2/fubiz-france-talks-about-100-worlds-project</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:title>Press Ron Miriello - FUBIZ /France Talks About 100 Worlds Project</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/http/trendvisionslanciait/en/article/around-the-world-in-100-pieces</loc>
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    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1470181315058-8BVCIHHAW0XLEAR7V8I2/image-asset.png</image:loc>
      <image:title>Press Ron Miriello - Italian LanciaTrendVisions- An Interview on the Why's and How's of 100WP</image:title>
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  <url>
    <loc>https://100worldsproject.com/press/http/sdcitybeatcom/article-8748-one-mans-100-worldshtml</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1470183392527-CP10OLV2XH6JATZD7AG3/image-asset.png</image:loc>
      <image:title>Press Ron Miriello - CityBeat Feature on 100WP</image:title>
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  </url>
  <url>
    <loc>https://100worldsproject.com/press/2016/8/2/100wp-on-felt-wire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1470182257246-X4NLB26TMOKH6XTYIJ8O/image-asset.png</image:loc>
      <image:title>Press Ron Miriello - Felt &amp; Wire on 100WP</image:title>
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  </url>
  <url>
    <loc>https://100worldsproject.com/press/http/wwwtrendhuntercom/trends/artistic-social-communities-and-works-ron-miriello-collaborates-to-create-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-03</lastmod>
    <image:image>
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      <image:title>Press Ron Miriello - 100WP on Design TrendHunter</image:title>
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  </url>
  <url>
    <loc>https://100worldsproject.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2026-01-23</lastmod>
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      <image:title>Contact Ron Miriello</image:title>
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  <url>
    <loc>https://100worldsproject.com/worlds-gallery</loc>
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    <priority>1.0</priority>
    <lastmod>2016-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1418617198183-H6VLRR4ZJA1T8ZQA3TF7/world1_818x744.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 1</image:title>
      <image:caption>A 1950s aerospace caliper transformed into a globe armature in the hands of a talented metalsmith. The books on American Black History were the right color, and the right subject, to form the first globe in what was to turn into the 100 Worlds Project. Photographer: Ken West</image:caption>
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      <image:title>Worlds Ron Miriello - World 2</image:title>
      <image:caption>I was one of those kids who played with the packaging more than the toy. Super strength corrugated cardboard became the base. A repainting of the continents from memory became the globe. Photographer: Cameron Okamoto</image:caption>
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    <image:image>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:title>Worlds Ron Miriello - World 3</image:title>
      <image:caption>Books are worlds in and of themselves. In this globe, books are used as both heavy and wood-like, as well as a light and breathable, almost transparent, material. Photographer:  Jose Alonso</image:caption>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:title>Worlds Ron Miriello - World 4</image:title>
      <image:caption>The interesting part of #4 is how the exterior frame bends to accommodate the colliding earths; it appears quite normal to have a miniature lobe attached down there in the southern hemisphere. Photographer:  John Durant</image:caption>
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    <image:image>
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      <image:title>Worlds Ron Miriello - World 5</image:title>
      <image:caption>Wooden cigar boxes carry with them the handwork, exotic smells and hand rolled cargo of Central America. The oval sphere is formed from dozens of dismantled cigar boxes. The exterior is shaped from maple plywood. The base is a welded steel I-beam. Photographer: Chris Wimpey</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello - World 6</image:title>
      <image:caption>Globe #6 evolves from the random patterns, product logos and raw colors of dumpster-bound cartons. The most obscure of objects proudly assume their new role. Photographer: Chris Park</image:caption>
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    <image:image>
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      <image:title>Worlds Ron Miriello - World 7</image:title>
      <image:caption>An image of the world is universally recognizable to everyone, but virtually no one has ever seen it in person. #7 plays games with our trusted symbol of home. Photographer: Marcelle Romeo</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello - World 8</image:title>
      <image:caption>A bright yellow 'DIVIDED HIGHWAY AHEAD' barricade sign, stainless steel cable, thin maple veneer and a sand casted aluminum base join together to comprise globe #8. Foreign, unrelated objects reorient themselves in new symbolism. Photographer: Sean Cassidy</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello - World 9</image:title>
      <image:caption>Cables of copper and steel thread themselves through a septum of mahogany wood. Like orbital pathways, the cables define the outer boundaries of their constellation. Photographer: David Harrison</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:title>Worlds Ron Miriello - World 10</image:title>
      <image:caption>Four shop hand-brushes are screwed together - bristles trimmed neatly - and balanced on a blood red wooden foundry form. A plumb-bob tip defines the center of this precarious microcosm. Photographer: Kathryn Szalay</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello - World 11</image:title>
      <image:caption>A moss-covered dome provides a posting wall for unclear messages and random images. Photographer:  Mike Smith</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419573102502-4LTWPG7HUK3I8HTYBFY5/worlds28_818x732.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 12</image:title>
      <image:caption>I remember putting my finger down on my globe as a kid and wondering if the people living there might be able to sense it. #12 serves as a valiant attempt to combat the threat of obscurity caused by the likes of GPS and Google Maps. Photographer: Gavin Filipiak</image:caption>
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      <image:title>Worlds Ron Miriello - World 13</image:title>
      <image:caption>An aluminum highway sign becomes the thin suspension frame for a sphere of tangled, yet orderly, electrical wiring. Photographer: Cameron Okamoto</image:caption>
    </image:image>
    <image:image>
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      <image:title>Worlds Ron Miriello - World 14</image:title>
      <image:caption>This wooden box was once home to the mass of art supplies needed by a curious 10 year old. It traveled a long and windy road to be reborn as #14. Photographer: Karen Morrison    </image:caption>
    </image:image>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:title>Worlds Ron Miriello - World 15</image:title>
      <image:caption>Heavy rusted plate steel surrounds a free-floating stainless steel orb. Photographer: Luis Garcia</image:caption>
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      <image:title>Worlds Ron Miriello - World 16</image:title>
      <image:caption>We make great assumptions about content from form. This piece is propped up by timbers and sticks with an infrastructure held tenuously together by bailing wire and tacks - like a fake western storefront. Photographer: Nick Nacca</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419574349450-FLMHISBSHWBUC786H58G/17_garrettpatz_globe_17_final.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 17</image:title>
      <image:caption>#17 has handwritten comments and messages etched into the collar. The base is laser cut masonite. The globe itself I bought from artist and friend, Aaron Kramer, who made it from metal street sweeper brush bristles. Photographer: Garrett Patz</image:caption>
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      <image:title>Worlds Ron Miriello - World 18</image:title>
      <image:caption>When welder Seth Collins offered me his worn saw blade he said, “ I think there’s one of your worlds wound up tight in here.” It found its new place sitting in the middle of a wood foundry-form from a Johnson City Tennessee Foundry. Photographer: Marshall Williams</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419575851271-D3Y0USJRJ5HPBX4JOT4L/19_tracymeiners_globe.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 19</image:title>
      <image:caption>I’m amazed at the beauty of type when it’s in the hands of an expert. These old letterforms were all made by hand. When my friend, Simon Ritchkin, uncovered a box of wooden letterforms in a brocante in France, I knew we had just made a globe together. A wood handle pipe wrench proudly does its new job. Photographer: Tracy Meiners</image:caption>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419576353266-Y8XLK79D6HHB160TRH0B/20_tom_greer_92910_c.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 20</image:title>
      <image:caption>I find it interesting how different the feel of #20, made from mahogany wood, is from #15, the plate steel version of the same design. Photographer: Tom Greer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419576480831-2YPBKDTN3MPIJCSLHKXA/21_rogozienski.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 21</image:title>
      <image:caption>Books about geography were ground and reshaped into a topographic model; a landing place for several globes of dubious origins. Photographer: Frank Rogozienski</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419576580466-UJV3O256YJZPBZEJ07LI/22_malevanchik_globe22_v01.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 22</image:title>
      <image:caption>The armature of #22 is made from a classic bicycle lug. Laser cut chainring gears form the contour of the sphere. The head tube artwork is 19th century cloisonné from a bicycle manufacturer in southern France. Photographer: Leo Malevanchik</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419656268670-7QWSYBNBUJJKW8P9W5M0/23_johntrice_explosion.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 23</image:title>
      <image:caption>Having photographers interpret the 100WP works has been such a joy and a gift. John Trice created a landscape of delicate dandelion forms from #23, a shattered and fractured world globe. Photographer: John Trice</image:caption>
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      <image:title>Worlds Ron Miriello - World 24</image:title>
      <image:caption>Why had I been keeping a Canadian 5-pin bowling ball, a plumb bob and a gear chase I found at the Black Hole in New Mexico? Quite obviously, to unite years later as #24. Photographer: Paul Body</image:caption>
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      <image:title>Worlds Ron Miriello - World 25</image:title>
      <image:caption>The Sherwin Williams Paint “Cover the Earth” logo became a reality in 2010 when the Gulf of Mexico was coated and suffocated in oil. The base of this piece is laser cut and engraved. Black rubber stretches taut across the horizon and anchors itself to levels below the surface. Photographer: Chris Wimpey</image:caption>
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      <image:title>Worlds Ron Miriello - World 26</image:title>
      <image:caption>#26 is made from dozens of coffee shop spoons and a lattice of short steel rods. The base is sand cast aluminum. I see an orbiting satellite or a TD 2 tower or … Photographer: Paul Body</image:caption>
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      <image:title>Worlds Ron Miriello - World 27</image:title>
      <image:caption>I've always like the strong industrial shapes formed by cast iron tubing joints that are bolted together. That was behind the sketch that eventually lead to #28. Photographer: Tsukuru Matsumura</image:caption>
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      <image:title>Worlds Ron Miriello - Globe 28</image:title>
      <image:caption>An organic bone-like structure has vertical incisions that hold a series of organically shaped fins. Photographer: Cameron Okamoto</image:caption>
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      <image:title>Worlds Ron Miriello</image:title>
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      <image:title>Worlds Ron Miriello - World 29</image:title>
      <image:caption>The birch branch “nest” was one of the earliest globe structures in the series, yet it took the longest to find its resting place as a finished piece. Photographer: Cera Zittlow</image:caption>
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      <image:title>Worlds Ron Miriello - World 30</image:title>
      <image:caption>There is energy when elements that were seemingly never meant to find each other unite seamlessly as one. This aerospace nose cone seemed to be waiting decades for the arrival of its analog – a forgotten globe from a Massachusetts cellar. Photographer: John Trice</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419658810360-Q3PQE4HOSHWP62DBOJ1I/32_cameronokamotowood_hanger.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 32</image:title>
      <image:caption>Much like a map of the world would sit behind the desk of a company president in the 50s, suggesting the potential of their market, this series of four introduce additional complexity and confusion into that once simple and inspirational world motif. #1 of 4 Photographer: Cameron Okamoto</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1431651327036-1O9QH5U6N8XIX4DJUWXX/31_johntrice_wheels.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 31</image:title>
      <image:caption>Discarded wheels, disks and machine parts assume a different role as rings in a new rotating universe. Photographer: John Trice</image:caption>
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    <image:image>
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      <image:title>Worlds Ron Miriello - World 33</image:title>
      <image:caption>Much like a map of the world would sit behind the desk of a company president in the 50s, suggesting the potential of their market, this series of four introduce additional complexity and confusion into that once simple and inspirational world motif. #2 of 4 Photographer: Mark Dastrup</image:caption>
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      <image:title>Worlds Ron Miriello - World 34</image:title>
      <image:caption>Much like a map of the world would sit behind the desk of a company president in the 50s, suggesting the potential of their market, this series of four introduce additional complexity and confusion into that once simple and inspirational world motif. #3 of 4 Photographer: Mark Dastrup</image:caption>
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      <image:title>Worlds Ron Miriello - World 35</image:title>
      <image:caption>Much like a map of the world would sit behind the desk of a company president in the 50s, suggesting the potential of their market, this series of four introduce additional complexity and confusion into that once simple and inspirational world motif. #4 of 4 Photographer: Mark Dastrup</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419721240452-C9RG16KI3J1OR05BR4AO/36_stacy_keck.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 36</image:title>
      <image:caption>Surprising how many tool handles there are in odd corners of the world. Each one carries a story on the handle with markings of wear from the tasks they’ve done and the hands that did them. Photographer: Stacy Keck</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419721426253-ZUR3JAHLPGAGC33I42GO/37_johntrice_butterfly.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 37</image:title>
      <image:caption>This 1930s hand painted metal globe likely served to inspire employees in some corporate lobby. Now it sits atop a computer laser cut foundation, like Atlas Gemini, ready to relaunch. Photographer: John Trice</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419721596671-08RO0VZDCX2GCZYFWDEW/38_rittermann_globe38_v01-3.jpg</image:loc>
      <image:title>Worlds Ron Miriello - world 38</image:title>
      <image:caption>I started to see worlds waiting for me everywhere. This world was hidden in the backs of two wooden bar chairs. Photographer: Philipp Rittermann</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419721789930-NCKEHM64E3NEGWTHO1MQ/39_2010_11_30_allard_globe39.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 39</image:title>
      <image:caption>I was having coffee and sketching ideas at Rebecca’s in North Park when I spotted a wall of old board games behind me; all full of exaggerated color and type. #39 was instantly down as a sketch and came alive exactly like it was drawn. Photographer: Gary Allard</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1433960097468-ND2A81U3VJMD3CTB7V34/New-%03points--of%03connection.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419722147456-12GGCR6E2737UUTSPFYG/40_rittermann_globe40_v03.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 40</image:title>
      <image:caption>I tried to dig to China from my backyard in New Jersey when I was about seven years old. The devil, the cave, the core, the fire, the truth, the failed, the garden, the smoke, the spirits, the steam, the riches. What was beneath those shallow roots? Photographer: Philipp Rittermann</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419722382275-RH2UIBN1OHLA49YETHR6/41_mark_dastrup_photography_date_011111.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 41</image:title>
      <image:caption>My friend, automobile designer Chuck Pelly parted with his propeller so I could make #41. The base is an industrial shock absorber I carried back from Italy in a very suspicious carry-on. Photographer: Mark Dastrup</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419724503048-5XQXXOFCRZQT1KFUNI25/42_miriello_globe_43_paul__body_photography_122710.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 42</image:title>
      <image:caption>Anne Miriello had the patience (and three pencil sharpeners) to sharpen boxes of uniform pencils into #43. Photographer: Paul Body</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419832463970-D79LE7H92RNS5YD5GTZM/globe_43_fixed_600x420.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 43</image:title>
      <image:caption>A vertical totem collage of spheres destined to be skewered together in a new configuration; sort of like a table of strangers who share a wonderful endless meal together.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419727151291-UPEOI31MGIYMO9I74B49/44_vanderschuit_2.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 44</image:title>
      <image:caption>A dozen leather shoe soles take on their new role as storytellers. Shoes were disassembled and soles reattached with shoemaker nails to an orb of poplar wood. Tap dancers, businessmen, preachers and streetwalkers share their new life together. Photographer: Carl Vanderschuit</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1431651394629-RX55DD8BT9X2NWBLEY5V/globe_45_fixed_420%C3%97600.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 45</image:title>
      <image:caption>I saw a world encased in a wind swept cocoon appearing in my sketch book. It reminded me of the work of Luigi Colani, a futuristic industrial designer from Switzerland. Photographer: Cameron Okamoto</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419727408018-UGTCOG0M1TVFPR920O32/46_aaserafino_miriello_globe46.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 46</image:title>
      <image:caption>Burning out of its confines, a manzanita branch has no boundaries. Photographer: Aaron Serafino</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1431651429784-J04NE7IB9A6T3RMRYR1M/globe_47_fixed_420x600.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 47</image:title>
      <image:caption>Jagged spires of Brett Hassler veneered mahogany form a cathedral for a nesting sphere. The pattern cut into the spires was inspired by the design formed in the interlocking structure of microscopic bones. Photographer: Monica Hoover</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1433961560920-GLQ1ARMIC6WM4EHP9SZW/48_tomholmberg.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 48</image:title>
      <image:caption>A graphic representation of the divisive statement of the former leader of the free world. Photographer: Tom Holmberg</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419831484940-U2PD19RAHPMTAIZPSXL0/globe_49_fixed_600x420.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 49</image:title>
      <image:caption>Aluminum rods, like long hidden stalactites, reveal themselves from inside a calcified half globe.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5418d1b9e4b003eaab46a7f9/1419728083512-GMBPUZ68O7JNRMCFPQIK/50_tomholmberg.jpg</image:loc>
      <image:title>Worlds Ron Miriello - World 50</image:title>
      <image:caption>I remember seeing what looked to me like orange peels of the world behind the head of Walter Cronkite as he read the news during the Vietnam war. Those shapes, called gores, reappear in my drawing book repeatedly. Photographer: Tom Holmberg</image:caption>
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      <image:title>Worlds Ron Miriello</image:title>
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    <loc>https://100worldsproject.com/exhibition</loc>
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